Holtzman Hannah

Future French and Francophone screen studies in the United States

British Association of Film, Television and Screen Studies Conference 2025年3月27日  招待有り

Documentary Filmmaking in ‘Foreign’ Languages

Visible Evidence 2024年12月20日

Nation Branding and the ‘Frenchness’ of French Cinema by Japanese Filmmakers.

Australia Society for French Studies Conference 2024年12月11日

Reframing Hiroshima mon amour after Fukushima

Transnational Cinema Scholarly Interest Group 2024年11月22日  招待有り

Nation Branding Abroad: Language, Authenticity, and Nation in Kore-eda Hirokazu’s La Vérité (2019).

Society for Cinema and Media Studies Annual Conference 2024年3月16日

Can Anyone Make a French Film? Nation, Identity, and Cinema Diplomacy in Ratatouille and La Vérité

Washington & Jefferson College 2024年2月15日  招待有り

AI & the Death of Cinema

University of San Diego, Humanities Center 2023年10月19日  招待有り

Fukushima Daiichi and a New Nuclear Iconography

Society for Cinema and Media Studies Annual Conference 2023年4月12日

"A Risky Venture": Typhoon over Nagasaki (1957), the First Franco-Japanese Co-Production

Society for Cinema and Media Studies Annual Conference 2022年4月3日

Exchange Beyond La Francophonie: Franco-Japanese Co-productions

20th- and 21st-century French and Francophone Studies International Colloquium 2022年3月

Nuclear Realism and the Cinematic Chronotope of the Nuclear

MLA Convention 2022年1月

Timefulness, Futurelessness, and Other Crises of the Present

University of San Diego, Humanities Center 2021年10月5日  招待有り

Chris Marker’s Environmental Aesthetics

Society for Cinema and Media Studies Annual Conference 2021年3月21日

Through the Nuclear Lens: Overview

Media and Environment Scholarly Interest Group, Society for Cinema and Media Studies 2021年2月23日

Women in Postwar Franco-Japanese Films

UCLA Center for the Study of Women 2020年10月30日  招待有り

Filming the Uncertain Time of Nuclear Energy

University of San Diego, Humanities Center 2020年10月6日  招待有り

Trains and Urban Ecological Consciousness in Chris Marker’s Multimedia Paris and Tokyo

Contemporary French Civilizations Conference 2019年8月

The Future Looks the Same as the Past: From Transnational to Diachronic in Jun Yang’s The Age of Guilt and Forgiveness

American Comparative Literature Association Annual Meeting 2019年3月10日

Redefining the Nuclear Narrative

(In)Human Time: Artistic Responses to Radiotoxicity workshop in association with the Association for the Study of the Arts of the Present Symposium 2018年5月25日

Filming Fukushima: French Visions of Nuclear Disaster

20th- and 21st-century French and Francophone Studies International Colloquium 2018年4月

Defining the Nuclear

Society for Cinema and Media Studies Annual Conference 2018年3月17日

French Webdocs and Nuclear Disaster in Japan

Society for Cinema and Media Studies Annual Conference 2018年3月18日

Sensing the Nuclear in Chris Marker’s Films

20th- and 21st-century French and Francophone Studies International Colloquium 2017年4月

Une affaire de cœur de 52 ans: Regarder Hiroshima mon amour après Fukushima

École normale supérieure de Lyon 2016年11月9日  招待有り

A Twenty-Four-Hour Love Affair: Nuclear Time in Hiroshima mon amour

World Cinema & Television in French 2016年9月10日

Impossible de parler de Hiroshima: l’idiolecte cinématographique d’Alain Resnais

Chuo University 2016年6月7日  招待有り

Portraits of Half-life in Michaël Ferrier’s Multilingual Japan

American Comparative Literature Association Annual Meeting 2016年3月

In Search of Identity in Linda Lê’s Lame de fond

Reorienting Cultural Flows: Engagements between France and East/Southeast Asia, Winthrop-King Institute, Florida State University 2015年2月28日