Hannah Holtzman

Future French and Francophone screen studies in the United States

British Association of Film, Television and Screen Studies Conference, Mar 27, 2025  Invited

Documentary Filmmaking in ‘Foreign’ Languages

Visible Evidence, Dec 20, 2024

Nation Branding and the ‘Frenchness’ of French Cinema by Japanese Filmmakers.

Australia Society for French Studies Conference, Dec 11, 2024

Reframing Hiroshima mon amour after Fukushima

Transnational Cinema Scholarly Interest Group, Nov 22, 2024  Invited

Nation Branding Abroad: Language, Authenticity, and Nation in Kore-eda Hirokazu’s La Vérité (2019).

Society for Cinema and Media Studies Annual Conference, Mar 16, 2024

Can Anyone Make a French Film? Nation, Identity, and Cinema Diplomacy in Ratatouille and La Vérité

Washington & Jefferson College, Feb 15, 2024  Invited

AI & the Death of Cinema

University of San Diego, Humanities Center, Oct 19, 2023  Invited

Fukushima Daiichi and a New Nuclear Iconography

Society for Cinema and Media Studies Annual Conference, Apr 12, 2023

"A Risky Venture": Typhoon over Nagasaki (1957), the First Franco-Japanese Co-Production

Society for Cinema and Media Studies Annual Conference, Apr 3, 2022

Exchange Beyond La Francophonie: Franco-Japanese Co-productions

20th- and 21st-century French and Francophone Studies International Colloquium, Mar, 2022

Nuclear Realism and the Cinematic Chronotope of the Nuclear

MLA Convention, Jan, 2022

Timefulness, Futurelessness, and Other Crises of the Present

University of San Diego, Humanities Center, Oct 5, 2021  Invited

Chris Marker’s Environmental Aesthetics

Society for Cinema and Media Studies Annual Conference, Mar 21, 2021

Through the Nuclear Lens: Overview

Media and Environment Scholarly Interest Group, Society for Cinema and Media Studies, Feb 23, 2021

Women in Postwar Franco-Japanese Films

UCLA Center for the Study of Women, Oct 30, 2020  Invited

Filming the Uncertain Time of Nuclear Energy

University of San Diego, Humanities Center, Oct 6, 2020  Invited

Trains and Urban Ecological Consciousness in Chris Marker’s Multimedia Paris and Tokyo

Contemporary French Civilizations Conference, Aug, 2019

The Future Looks the Same as the Past: From Transnational to Diachronic in Jun Yang’s The Age of Guilt and Forgiveness

American Comparative Literature Association Annual Meeting, Mar 10, 2019

Redefining the Nuclear Narrative

(In)Human Time: Artistic Responses to Radiotoxicity workshop in association with the Association for the Study of the Arts of the Present Symposium, May 25, 2018

Filming Fukushima: French Visions of Nuclear Disaster

20th- and 21st-century French and Francophone Studies International Colloquium, Apr, 2018

Defining the Nuclear

Society for Cinema and Media Studies Annual Conference, Mar 17, 2018

French Webdocs and Nuclear Disaster in Japan

Society for Cinema and Media Studies Annual Conference, Mar 18, 2018

Sensing the Nuclear in Chris Marker’s Films

20th- and 21st-century French and Francophone Studies International Colloquium, Apr, 2017

Une affaire de cœur de 52 ans: Regarder Hiroshima mon amour après Fukushima

École normale supérieure de Lyon, Nov 9, 2016  Invited

A Twenty-Four-Hour Love Affair: Nuclear Time in Hiroshima mon amour

World Cinema & Television in French, Sep 10, 2016

Impossible de parler de Hiroshima: l’idiolecte cinématographique d’Alain Resnais

Chuo University, Jun 7, 2016  Invited

Portraits of Half-life in Michaël Ferrier’s Multilingual Japan

American Comparative Literature Association Annual Meeting, Mar, 2016

In Search of Identity in Linda Lê’s Lame de fond

Reorienting Cultural Flows: Engagements between France and East/Southeast Asia, Winthrop-King Institute, Florida State University, Feb 28, 2015