村井 則子

Adaptation, Appropriation, and the Afterlives of Japonisme

“Transnational Japanisms: Art, Craft, Design,” a Conference in Memory of Professor Toshio Watanabe (1945-2025) 2026年5月15日 Sponsored by the Sainsbury Institute for the Study of Japanese Arts and Cultures, in working with SOAS, University of London, the University of Arts, London, the University of Zurich, the University of Stockholm, the Japan Foundation, and the Japan Art History Forum  招待有り

Representations of Japanese Art in the Genealogical Paintings of Hisamatsu Tomoko

The international symposium “Expanding Perspectives: Nihonga in Contemporary Practice, History, and Beyond” 2026年4月25日 the Kress Foundation Department of Art History and held in conjunction with the exhibition Street Nihonga: The Art of Jimmy Tsutomu Mirikitani at the Spencer Museum of Art. The University of Kansas  招待有り

Staging the Nation and Its Divided Genealogies in Contemporary Japanese Art

The 13th International Convention of Asia Scholars 2024年7月30日

Painting Okakura Tenshin: Hisamatsu Tomoko’s Genealogical Imagination of Modern Japanese Art

The Association for Asian Studies Annual Meeting 2024年3月16日

Modern Japanese Painting and the Transnational Diffusion of Pictorial Blurriness Around 1900

The Asian Studies Japan Conference 2022年7月2日

Re-Appropriating Culture: Japonisme in Contemporary Japan and the US

MSU Asian Studies Center Global Virtual Speakers Program, , sponsored by the MSU Japan Council, Asian Studies Center, Department of Art, Art History & Design, Asian Pacific American Studies Program, and Global Studies in the Arts & Humanities, Michigan State University 2022年4月7日  招待有り

Japonisme Today: Exhibiting Cultures and Exhibition Cultures in Our Time

Japan Forum Lecture Series, Reischauer Institute of Japanese Studies, co-sponsored by the East Asian Art Program at Harvard University, Harvard University 2022年2月11日  招待有り

Japonisme／ジャポニスム／日本主義ー齟齬としての文化表象

ジャポニスム学会設立４０周年記念フォーラム「ジャポニスム研究の可能性－歴史と現在」  招待有り

Composing in Groups: Individual Expressions and Collective Output in Early Twentieth-Century Japan

The international symposium “Group Dynamics—The Blue Rider Collection and the Artists’ Collectives of the Modernist Period,” the Lenbachhaus, Munich  招待有り

Points of Contact and Disconnect in Cross-Cultural Networks

the 11th International Convention of Asia Scholars 2019年7月16日

Heisei Becomes History: The Relevance of the Imperial Reign Calendrical System in Twentieth-First-Century Japan

Association for Asian Studies Annual Meeting 2019年3月21日 Association for Asian Studies

Visions of Sound: Okakura Kakuzo, John La Farge, and the Transsensorial Imagination

Department of History of Art and Architecture & the Center for the Study of Asia, Boston University 2018年4月12日  招待有り

Current Encounters: Water Imagery in John La Farge and Okakura Kakuzo

Visual and Material Perspectives on East Asia, the University of Chicago 2018年3月2日  招待有り

Between the Museum and the Tearoom: Okakura Kakuzo's Views on Aesthetic Encounter

2017年11月16日 Department of Art History, University of Kansas  招待有り

The Avant-Garde Object in the 1950s: Teshigahara Hiroshi and Thematic Ikebana

the 20th Asian Studies Conference Japan 2016年7月3日 Asian Studies Conference Japan

Things Seen and Unseen, or the Ambivalence of Japonisme

Henri Zerner: A Celebration of His Scholarship and Teaching at Havard 2015年5月1日 Harvard University  招待有り