MARI BOYD

(BOYD 眞理子)

Profile Information

Affiliation: Professor Emeritus, Sophia University

J-GLOBAL ID: 200901091631232012
researchmap Member ID: 5000064274

1. Quietude in theatre: Ota Shogo's theatre of divestiture.
2. Object Theatre
3. Modern Japanese theatre

1991-3 : Fulbright Fellow
1973-4 : Mt Holyoke College Foreign Fellow
1972-3 : Rotary Foundation Fellow

Research Interests

Research Areas

Research History

2016 - Present

Professor Emeritus, Sophia University
2006 - 2016

Senior Professor, Graduate School of Global Studies：Faculty of Liberal Arts, Sophia University

Papers

“Quietude in Intercultural Theatre: Phillip Zarrilli‘s 'Told by the Wind' and Okamura Yōjirō's 'Aminadab'”

BOYD MARIKO

"Comparative Theatre Review", 11(1), Apr, 2012 Peer-reviewedInvited
“Okamura Yōjirō and his Contemporary Nō Play, 'Aminadab'" (translation)

BOYD MARIKO

Sophia International Review, (33) 1-22, Mar, 2011
“Yaburegasa Chōan: Chōan and the Ripped Umbrella”(review)

BOYD MARIKO

Puppetry International, (27) 30-31, Jun, 2010
“From Ōta Shōgo’s Earth Station to Wang Chong's E-Station”

BOYD MARIKO

"TheatreForum", (36) 66-72, Jun, 2009 Peer-reviewed
Ota Shogo, Yamazaki Tetsu, and The Water Station.

BOYD MARIKO

The Encyclopedia of Asian Theatre, GreenWood Publishers, Jun, 2006
New Trends in Japanese Theatre: Hasegawa Koji and the Decentralisation of Theatre.

MARI BOYD

Mime Journal 2003-2004: Theatre East and West Revisited, 2003
Shizukana Geki no Taito(The rise of the theatre of quietude)

BOYD MARIKO

Engeki Gakuronshu:Nihon Engeki Kiyo(The Japan Theater Research Association Bulletin), 41 97-110, 2003 Peer-reviewedInvited
Review of "Requiem on the Great Meridian"

BOYD MARIKO

Monumenta Nipponica, 57(3) 396-39., 2002
Japanese Little Theatre from the 1960s to the 1990s

BOYD MARIKO

Performance Arts Review, May, 1998
"Ota Shogo and the Water Station"

BOYD MARIKO

Performance Arts Review, 39-44, May, 1998
"The Little Theater of Japan from the 60's to the 90's"

MARI BOYD

Performance Arts Review, 32-38, May, 1998
“Liminality and Altered States of Consciousness in Ritual Performances in Preindustrial Cultures”

BOYD MARIKO

Sophia International Review, 20(20) 1-10, 1998
Review of "Voyage of Contemporary Japanese Theatre"

BOYD MARIKO

Monumenta Nipponica, 52(4 (Winter)) 571-573, 1997
"Aesthetic Concept of Rasa in Classical Indian Theater"

BOYD MARIKO

Sophia International Review, 18 1-7, 1996
"Efficacy and Entertainment in Primitive Chinese Theater and Modern Environmental Theatre"

BOYD MARIKO

Sophia International Review, 17 15-21, 1995
"A Feminist Gaze at Chikamatsu's Plays"

BOYD MARIKO

Sophia International Review, 16 1-5, 1994
Review of "Alternative Japanese Drama"

BOYD MARIKO

Monumenta Nipponica, 48(2 (Summer)) 273-275, 1992
"Ota Shogo’s Mizu no Eki"

BOYD MARIKO

Asian Theatre Journal, (Winter) 150-183, 1990
"Nihon ni Okeru Virginia Woolf Kenkyu"

BOYD MARIKO

Sophia, 39(1(春)) 143-149, 1990
"Bernard as Woolfian Artist"

BOYD MARIKO

Sophia International Review, 6, 1989
"Unaccomodated Man in Ota Shogo's Plays: A Study of Silence and Slow Movement in Mizu no Eki and Chi no Eki"

BOYD MARIKO

Sophia International Review, 9 22-31, 1987
Sophia International Review Vol 9

BOYD 眞理子

ソフィア上智大学, 1987
“Sophia International Review Vol 8”

BOYD 眞理子

ソフィア上智大学, (夏), 1986
“Sophia International Review” Vol 7

BOYD 眞理子

ソフィア上智大学, 1986
“Sophia International Review” Vol 7

BOYD 眞理子

ソフィア上智大学, (秋), 1985
"The Painting in To the Lighthouse"

BOYD MARIKO

Sophia International Review, 6 13-18, 1984
"The Art Theme in 'Between the Acts"

BOYD MARIKO

English Literary Studies, English Number, 236-243, 1983
"The Demeter Kore Myth in Memoirs of a Survivor"

BOYD MARIKO

Sophia International Review, 5 4-10, 1983
"The Mental Traveller" and Joyce Cary's "The Horse's Mouth"

BOYD MARIKO

Journal of the Faculty of Foreign Studies,Sophia University, 1981

Books and Other Publications

Revolutionary legend: the theatre world of Miyamoto Ken, 2017

MARI BOYD (Role: Joint translator, Ken Miyamoto’ｓ Hana Ichimonme)

2017
ENGEKI:Japanese Theatre in the New Millennium １/2

MARI BOYD (Role: Joint translator, Nagai’ｓGot to Make Them Sing/ Hatasawa's What Are the Parents Like?)

Japan Playwrights Association, 2017
A History of Japanese Theatre

MARI BOYD (Role: Joint author, Modern meta-patterns)

Cambridge U.P., 2016
The Columbia Anthology of Drama

MARI BOYD (Role: Joint translator, Earth Station /Poems for Sale w/introductions)

Columbia University Press, 2015
The Theatre of Inoue Hisashi "Partial Translation of Inoue Hisashi’s The Adventures of Zen Master Dogen”

MARI BOYD (Role: Sole translator)

Kanrin Shobō, Dec, 2012 (ISBN: 9784877373399)

A critical study of the major plays by Inoue Hisashi.

Presentations

“Karakuri Automata, Then and Now”

BOYD MARI

Psi 20 Shanghai, Jul, 2014
“Rediscovery of Nō Aesthetics: Ōta Shōgo and the Theatre of Divestiture”

BOYD MARI

Performing Japanese Traditions at Tel Aviv University, Jun, 2014 Invited
“Puppetry in the 21st Century”

BOYD MARI

Wayang World Puppet Carnival, Jakarta, Sep, 2013 Invited
“Quietude in Intercultural Performance"

BOYD MARIKO

FIRT annual congress in Osaka, Aug, 2011, FIRT
“Recent Innovations by the Youkiza Marionette Theatre Company”

BOYD MARIKO

Apr, 2011, Puppetry and Post-Dramatic Performance: An International Conference on Performing Objects in the 21st Century.